![]() ![]() In the image below I have brightened the sky and added more yellow to it to match the scene better. Using the “Temperature” and “Brightness” sliders, tweak the sky until you have a more natural match between the foreground and sky. So the next step should be to tweak the colour of the sky for a better match of your original photo. The photo has more brightness and tones of yellow in the scene which are not currently present in the sky. See the two images below and how even blue skies can differ and how the second sky works better (although still not perfect – we’ll come onto that next).Īs you can see in the image above, even the blue sky still doesn’t quite feel natural. For example, if you have a bright but flat light, a dramatic sunset sky just wouldn’t match the tones in the scene. Whether you purchase a pack or you take your own photos of skies, the important thing is to go through and look for a sky that has similar tones but also is what you would expect in those conditions. So, before deciding to replace the sky in a photo, you need to ensure you have the correct sky. ![]() Because if there isn’t a natural match, the photo will just not work. The biggest challenge in using sky replacement is being able to find the right sky to match your scene. So, don’t worry about post-processing and image manipulation being cheating, because it is not. But if you are going to be printing your photo to put on a wall in your home then why not change the sky? In the same way that a painter would change colours to produce their vision, you are doing the same thing, just digitally. For example, if you are a photojournalist, then the photos should be free of post-processing. ![]() But the way I see this process is that it really depends on what the purpose of the image is. ![]() The short answer is NO! There are of course purists who believe that photos shouldn’t be manipulated. So here are 5 tips for when you are replacing skies in Photoshop. But whilst the sky replacement function can be useful, if not used correctly it can actually ruin a photo. And because Photoshop works so well with Lightroom, it means moving images back and forth between the two is quick and straightforward. It gives photographers the opportunity to replace a sky in a photo effortlessly without the need to learn how to mask or use layers. Photoshop’s sky replacement function has been a welcome addition to an already astonishing software. ![]()
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